Between Connection and Distance: A Review of Technomonk’s Musings
What follows below, in collaboration with ChatGPT, is a review of my two decades of work here on this blog. Provided for your amusement and entertainment. And my ego, I suppose.
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To read Technomonk’s Musings is to discover a mind that insists on thinking in full sentences, even when the subject is uncomfortable. The essays — ranging from meditations on aging and love to reflections on politics, memory, and the quiet absurdities of everyday life — form less a blog than an ongoing correspondence between the author and the world.
Jim Arnold’s voice is cultivated yet conversational, curious yet unsentimental. He is equally at home unpacking a fleeting personal moment as he is interrogating the failings of institutions or the fragile scaffolding of social norms. What keeps the writing compelling is its refusal to settle for tidy conclusions. The essays often begin in one emotional key — wistful, amused, irritated — and end in another, as if the act of writing is itself a form of discovery.
A former love interest of Arnold, in what may or may not have been an act of generosity, once described a unifying theme of Musings as “rejection.” It’s not a baseless observation. Across the archives, one finds stories of relationships that drifted apart, ideals that proved brittle, ambitions met with indifference. But rejection here is rarely a wall; it is more often a window. Arnold treats these moments not as defeats but as turning points, scenes in which the self must adapt, recalibrate, and — crucially — remain willing to engage.
Still, to reduce the work to that single lens would miss the vitality of its range. The through-lines are more complex: a search for authenticity in human connection, a fascination with how memory shapes identity, a dry wit that can slice neatly through pretense. In his hands, personal anecdotes double as cultural commentary; a chance encounter or a scrap of overheard dialogue can spiral outward into reflections on the nature of intimacy, the economy of attention, or the slow-motion erosion of public trust.
The style borrows from essayists who value rhythm and structure but resists their tendency toward detachment. There is warmth here, even when the subject is loss. When the tone sharpens, it is not cruel; when it softens, it does so without sentimentality. This balance — between empathy and precision — gives the prose its staying power.
If the blog has an overarching effect, it is the sensation of being let in on someone’s interior weather report: not just the forecast, but the shifting cloud patterns, the brief breaks of light, the gathering storms. That Arnold makes space for rejection is less a fixation than an acknowledgment that to live authentically is to face, again and again, the places where we are not met in kind. What matters, the essays suggest, is what one builds in that aftermath.
In the end, Technomonk’s Musings offers neither an idealized self-portrait nor a manifesto. Instead, it is an ongoing ledger of encounters — personal, political, philosophical — kept with a level of care that suggests the act of recording is itself an act of connection. And that, perhaps, is the truer theme: not rejection, but persistence.
Marking A Monk’s Milestone
This is the 300th entry for this blog, so I thought I’d take a moment to reflect on my journey here.
I started writing TechnoMonk’s Musings in November 2005. The first platform I used was Blogger.com, a free service provided by Google; back then, I used “TechnoMonk.us” as the blog’s address. In October 2006, I stopped using Blogger and began anew here at TechnoMonksMusings.com, using the Squarespace service.
Although entries have been fairly infrequent for the past couple years, I have, in the last month, given the site a complete facelift and started writing again. I have also, just recently, transferred over most of the content from the 2005-06 era and that now appears here. The old Blogger site has been taken down.
300 posts in 75 months! … even with my noticeable lazy periods, that averages almost one entry per week.
I welcome back my old readers, and look forward to attracting new. I hope you like the revised look, and I sincerely invite you to share your thoughts here, too. Click on the “Post a Comment” link below any entry and tell me what’s on your mind!
Henry, Mariette, and Me
I woke up yesterday, Saturday, in a state of utter exhaustion, feeling rejected and somewhat depressed. I emailed a friend who I had plans to see and said that I was on the brink of getting a migraine and was going to opt out of getting together.
Still, it turned out to be a very interesting day…which happens to be the reason I just love life: you get up in the morning and never have any idea, really, of what’s going to happen.
I had started the week out on Monday by interviewing for a job in Portland…a position that had great appeal for me. I was supposed to find out on Friday if I had made it to the finalist stage. I didn’t hear a thing, so I suspected I was due for a rejection letter or phone call sometime soon. Having lived in a state of limbo and sleeplessness for the week, as the weekend arrived, I was very tired. And, now, I was trying to cope with my rejection issues.
Somehow, I thought, I’ll be able to recover and move on…though it may take awhile.
But the day, yesterday, as I have suggested, was not all negative.
Henry Aaron hitting home run No. 715 on April 8, 1974.
When NPR Weekend Edition was on, I listened to Scott Simon interview Howard Bryant (of ESPN.com, and Weekend Edition sports commentator) about his latest book The Last Hero: A Life of Henry Aaron. Having grown up in Wisconsin in the 50s and 60s listening to, and a fan of, Milwaukee Braves baseball (and Hank Aaron in particular), I was excited to learn of this new book. I knew I had to have it, and have it now.
Therefore, I was moved to show up at the nearest Borders store in the afternoon at around 1:30. As I walked into the store, I noticed a couple of posters announcing that actress Mariette Hartley was scheduled to appear at 2:00 p.m. for a “conversation and signing” of her book Breaking the Silence. (The newly-self-published, recycled version of her 1990 best-seller.)
Hmmmmm, I thought. Mariette Hartley. I wonder what she looks like these days.
Well, moving on, I proceeded to find the Aaron biography, and carried it around while I browsed the fiction section; I also selected an Anita Shreve novel to take home, and then proceeded to navigate the long line at the checkout counter.
It was just turning 2:00 when I exited the store. As I was passing by the big front windows, I spied Mariette Hartley sitting at a table facing a part of the room where about 20 or so chairs were set up…and totally empty. No one wants to see Mariette Hartley?, I thought. Incredible.
